70s sci fi art

Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles, 70s sci fi art.

Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of s paperback sci-fi art and the artists who created these extraordinary images. In the s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves or spinner racks. Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race—fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time , Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences.

70s sci fi art

Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow. What was it about that era of science fiction and fantasy art that originally reeled you in? The art always uses analog materials, but often feels sharp and sleek thanks to tools like airbrushes. And the imagination behind the subject matter is so refreshing: So many modern mainstream science fiction visuals in film or TV center on dull, militarized spaceships, as opposed to wild concepts like cities in bubbles or a crowd of humanoid cat aliens. I just saw a Paul Lehr illustration of an orange planet with a purple ring yesterday and was simply in awe. What were a few of your challenges in assembling this book? Were you able to reproduce from original paintings? Any artists who fell through the cracks? In a lot of cases, the artists or their families were able to provide large, high quality scans of the original artworks. More than a few times, I was able to find original scans from Heritage Auctions, an auction house that uploads very nice scans of every artwork they auction off. Quite a few times I had to make do with book cover scans themselves, although I was able to pay a graphic designer to edit others. I loved that publication; the first issue I bought was the one with the Jeffrey Catherine Jones wraparound painting.

Love of the game! What were a few of your challenges in assembling this book? In the s, mass-produced, cheaply printed science-fiction novels were thriving.

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Jump to ratings and reviews. Want to read. Rate this book. Adam Rowe. Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of s paperback sci-fi art and the artists who created these extraordinary images. In the s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves or spinner racks. Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race—fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward.

70s sci fi art

Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow. What was it about that era of science fiction and fantasy art that originally reeled you in? The art always uses analog materials, but often feels sharp and sleek thanks to tools like airbrushes. And the imagination behind the subject matter is so refreshing: So many modern mainstream science fiction visuals in film or TV center on dull, militarized spaceships, as opposed to wild concepts like cities in bubbles or a crowd of humanoid cat aliens. I just saw a Paul Lehr illustration of an orange planet with a purple ring yesterday and was simply in awe. What were a few of your challenges in assembling this book?

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Thor: Ragnarok even had actual Jack Kirby art as wallpaper in some scenes, along with very Chris Foss looking spaceship designs, and Foss was hired to work on Guardians of the Galaxy as well. Arriving Soon. I had already been collecting art from almost all the artists on my Tumblr blog since , but in the process of writing this, I developed a deeper appreciation for many artists. The mystery world is vast, and we need your support to cover it the way it deserves. He loves to throw in whimsical plants and animals on an alien planet or random numbers and symbols on a space station. Advertisers: Contact Us. I think the biggest change since the push for representational art in was the steady adaptation of digital tools over the s. This is because using the same artist for the same author establishes a visual continuity that helps the audience know what to expect. I believe publishers were the orchestrators for the more well known author-artist team-ups. How did you discover it? His burning city cover for Samuel R.

The s was a decade of immense cultural and artistic transformation, and science fiction art played a pivotal role during this time. Science fiction art in the 70s was characterized by a sense of boundless possibility and utopian visions of futuristic societies. Artists pushed the boundaries of traditional artistic techniques, embracing vivid colors, surreal designs, and futuristic landscapes that transported viewers into otherworldly realms.

Frank R Paul is an influential pulp artist who worked from the s to the s, but worked his day job in architectural design the whole time. Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race—fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. I think the biggest change since the push for representational art in was the steady adaptation of digital tools over the s. What were a few of your challenges in assembling this book? Dismiss without supporting Lit Hub. He loves to throw in whimsical plants and animals on an alien planet or random numbers and symbols on a space station. In Worlds Beyond Time , Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. Advertisers: Contact Us. His burning city cover for Samuel R. Arriving Soon. Recent Arrivals. The mystery world is vast, and we need your support to cover it the way it deserves.