Better call saul all black and white scenes

Ever since Better Call Saul better call saul all black and white scenes airing inthe series has regularly featured scenes that take place in black and white. The first episode of each season — apart from season 6 — has done the same as it explores the life of Gene Takavic, the alias of Jimmy McGill post-Breaking Bad, revealing tiny slivers of information about his new life in Omaha, Nebraska. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white. However, this has left Better Call Saul fans with questions, with many asking exactly why the series makes use of black and white scenes.

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Ozymandias in Breaking Bad. After Walter White is revealed to be Heisenberg and the DEA starts coming after him, Saul is compromised and forced to abandon his life in Albuquerque. He becomes Gene, a Cinnabon manager in Omaha, and hopes to live a peaceful life and avoid the authorities. Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well.

Better call saul all black and white scenes

Shadows and darkness feel more imposing in black and white. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. Better Call Saul is a captivating tale of questionable morality. Saul Goodman Bob Odenkirk is a clever but unscrupulous conman turned lawyer whose survival depends largely upon his singular ability to talk his way out of dangerous situations. The love of Saul's life, Kim Wexler Rhea Seehorn , shares Saul's cleverness and knack for duplicity but lacks his growing willingness to hurt the innocent if it might mean helping himself. Kim provides a counterbalance to Saul's self-serving inclinations, a reminder to set limits and retain a shred of compassion for potential victims. But Saul provides temptations for Kim as well, coaxing her to use her charisma for grifting and confidence tricks, risky yet thrilling behaviors she starts to enjoy. Once a carefully plotted con turns deadly, Kim breaks things off with Saul, citing the reason that they are "bad for each other" because their schemes result in other people suffering.

The tragedy of Kim and Jimmy's relationship was that they were too similar to each other, and brought out their respective worst traits. He reminds the viewer of classic black and white films while also underscoring and symbolizing Saul Goodman's journey out of darkness and toward the light. When you purchase through links on our site, we may earn a small affiliate commission.

The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. The post- Breaking Bad timeline sees Jimmy live a quiet life as a humble Cinnabon manager, but it's clear that Saul Goodman is still in there, desperate to get out. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman. Better Call Saul season 1 established the tradition of opening each season with a flash forward to Jimmy's life post-Saul.

Here is what you need to know about it. He is now known as Gene Takavic, a balding, paranoid manager of a Cinnabon Branch located in a shopping mall in Omaha, Nebraska. When a customer seems to stare in his direction, Gene becomes fearful that he has been recognized. However, this turns out to be a false alarm. After reaching home — a dreary and modest apartment — Gene sits in the dark and watches the VHS tapes of the Saul Goodman ads, which are in color. When the series goes back in time and begins telling the tale of how Jimmy McGill became Saul Goodman, they are in color as well.

Better call saul all black and white scenes

This week marked the end of an era, as Better Call Saul signed off after six seasons, effectively closing the book on the Breaking Bad universe in the process. The final few episodes took place mostly during the post- BB timeline, where Saul Goodman was going by the alias Gene Takavic. The installments were notably presented in black and white though, interestingly, there were a handful of colorized moments. Now, series co-creator Peter Gould has shed some light on the meaning of those sweet, artistic flourishes. In the more recent episodes, there were a few other instances in which color popped in. His nostalgia for Saul, not for Jimmy. I wanted to make sure everyone was watching the wonderful performances by Bob and Rhea and not getting distracted by technical artifice.

Us open draw

Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well. Without Kim to remind Saul to consider the repercussions of his actions, he devolves from an occasionally empathetic huckster into a fully self-serving charlatan and accomplice to the budding drug kingpin, Walter White Bryan Cranston , as seen in Breaking Bad. In the series finale, "Saul Gone," when Marion Carol Burnett discovers that the seemingly kind Gene is none other than conman on-the-lam, Saul Goodman, she calls Life Alert to report him while Saul rushes to his car. Twinfinite is supported by our audience. As in the similar moment from Better Call Saul season 1 , the commercial plays in color across the lenses of Jimmy's glasses, but this time it's an unwelcome reminder of his past life at the worst possible moment. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white. Rather than being a link back to his life as Saul, it's a link back to his life as the conman "Slippin" Jimmy McGill trying to reform by becoming a good lawyer, a good husband, and a good man, rather than Goodman. Gene Takavic scenes explained. The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white.

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline.

Recommended Videos. Nick Rivera Nick Rivera Mar 21, Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. Better Call Saul season 6 broke with tradition by opening in full color, after a masterful transition from black and white to technicolor via Saul Goodman's flamboyant tie collection. First a shot of Saul reaching for his dropped car keys is framed so that the bottom of his vehicle takes up the top part of the frame. Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well. Saul's rage and self-centered mindset precludes him from acts of contrition, and he instead pounds the door with his fist while chastising himself. Published: Jul 13, am. Marion confronted "Gene" at the end of Better Call Saul season 6, episode 12, "Waterworks", when she showed him one of Saul Goodman's old commercials. The very first scene of Better Call Saul takes place in black and white as the series catches fans up on the current whereabouts of Jimmy McGill, aka Saul Goodman, following the events of Breaking Bad. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. This shows that Jimmy felt his life as Saul Goodman was vibrant and made him feel alive while his existence as Gene Takavic feels like a bleak and empty shell. Without Kim to remind Saul to consider the repercussions of his actions, he devolves from an occasionally empathetic huckster into a fully self-serving charlatan and accomplice to the budding drug kingpin, Walter White Bryan Cranston , as seen in Breaking Bad. When Jimmy joins Kim for a cigarette in the caged sunbeam, light meets dark in a final moment together.