Byzantium film

The story concerns a mother and daughter vampire duo, byzantium film. The film premiered at the Irish Film Institute in April and was commercially released the following month. It has received generally positive reviews.

Byzantium is a vampire film directed by Neil Jordan. Byzantium had its world premiere at the Toronto International Film Festival on 9 September , and was released in the United Kingdom on 31 May The film received generally positive reviews. In , an old man, Robert Fowlds, picks up a discarded note dropped by teenage vampire Eleanor Webb, who has taken to writing her life story and then throwing the individual pages to the wind. Realising what she is, the old man invites Eleanor to his house and tells her that he is ready for death. Eleanor proceeds to kill him and consume his blood.

Byzantium film

They are always a good commercial bet, though. Here, a pair of mother-and-daughter vampires cling and clash throughout the centuries like Louis and Lestat in Interview, evading an organised society of male bloodsuckers who disapprove of their very existence. Whereas the earlier film was an elegant and well-dressed Gothic, this makes even its historical flashbacks seem cold and uncomfortable and imbues all its characters with dread and desperation. Each vampire story has to reinvent the rules. Starting in realist mode with mama monster Clara Gemma Arterton as a contemporary lap-dancer who keeps cheesewire handy to behead unwelcome callers and daughter Eleanor Saoirse Ronan haunting council estates for OAPs to bleed, Byzantium looks to pre-Stoker literature for the early 19th century flashbacks which explain their origins. Darvell Sam Riley and Ruthven Jonny Lee Miller , naval officers whose casual attitude to women has centuries-long consequences, take their names from versions of a story told by Lord Byron A Fragment and John Polidori The Vampyre which introduced the vampire into English prose. A vein of humour is punctured as Eleanor is red-flagged by teachers because she takes seriously an assignment to write the unvarnished truth about her early life and turns in an assignment that reads like a Gothic fairy tale, but this is mostly a melancholy, strange picture. Movies 31 05 Movies 30 05 Movies 18 04

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The English seaside town is the end of the line — and the end of the world. And it is by a typically bleak British beach that Neil Jordan has created this florid, preposterous but watchable soap opera of the undead; it's a dark fantasy that contains a trace of his slight weakness for whimsy, but in some ways it's his most effective film for some time, adapted for the screen by Moira Buffini from her stage play A Vampire Story. The seaside town is unnamed, but it appears to be shot in Hastings, making full use of that town's eerie Graham Greeneian spectacle: the charred pier that was torched by arsonists in Its restoration may not be easy. The town may in any case decide the pier is more of a morbid attraction for sightseers and film crews the way it is. Gemma Arterton plays Clara, a hardworking prostitute and lap-dancer with a mysterious past; she's on the run from a couple of nameless individuals and shows up at this wintry anti-Riviera with her daughter, Eleanor, played by Saoirse Ronan. But poor Noel blubberingly fails to go through with it, because his mum has just died.

I n his fine-looking new fable, Neil Jordan deals with two themes that have recurred in his work since Angel , the brilliant thriller about the Troubles with which he made his auspicious debut 31 years ago. One concerns the position of people who find themselves simultaneously pursuer and pursued; the other is about someone who takes on weighty responsibilities for the safety and welfare of others. In this case, they are a mother and daughter, the ruthless, beautiful, unscrupulous Clara Gemma Arterton and the kind, principled, vulnerable Eleanor Saoirse Ronan. Both have been vampires since the early 19th century when Clara was raped and abandoned by the naval officer who fathered Eleanor. During this time, they've been pursuing their own bloody agendas while in flight from a different, less forgiving group of the undead. Currently, they've escaped their latest killings and found refuge in a deserted art nouveau hotel in a run-down seaside resort in reality Hastings, photographed as the last stop on the road to hell by Sean Bobbitt, the cinematographer who recently shot The Place Beyond the Pines in the US.

Byzantium film

All I knew going into "Byzantium" was that it marks director Neil Jordan's return to the genre he and novelist Anne Rice helped make viable for Hollywood studios almost twenty years ago, with " Interview with the Vampire. I find the entertainment industry's ongoing vampire gold rush, and pop culture's fascination with sexualized gore in general, to be insipid, boring and ghoulish in a trivial way that's unique to folks who haven't experienced much real violence or loss: goth slumber party. What a pleasure it was, then, to be won over by this exquisite, lovely film, in which contemporary characters struggle to suspend their disbelief in vampire lore while Jordan's eye for formal beauty and truthful performances suspends ours. There is a very true moment in David O. Russell's film " The Fighter " where Amy Adams is trying to stay angry and distrustful of her pathetic junkie brother-in-law Christian Bale but her heart can't help but reach out to him when he pleads sincerely for understanding. Noticing some cake icing smeared on his forearm, she says, "What's that blue shit on your arm? That's how this bluesy vampire melodrama "Byzantium" worked on me. The plot is almost irrelevant, but the way screenwriter Moira Buffini adapting her own stage play "A Vampire Story" weaves threads of history, folklore, feminist spirit and universal themes is striking.

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Glenn Doherty Steve. How long is Byzantium? Directed by Neil Jordan. Reviews Byzantium. Here Jordan, costume designer Consolota Boyle, production designer Simon Elliot, and genius director of photography Sean Bobbit " Hunger " conspire to hold us in thrall every time Arterton appears. Whereas the earlier film was an elegant and well-dressed Gothic, this makes even its historical flashbacks seem cold and uncomfortable and imbues all its characters with dread and desperation. Categories : films fantasy films thriller films s fantasy thriller films s thriller films American fantasy thriller films American horror thriller films British fantasy films British thriller films s English-language films English-language Irish films Irish fantasy films Irish thriller films American films based on plays Films set in Films set in the s Films set in the s Films set in the s Films set in East Sussex Films set in Ireland Films about rape American vampire films Films directed by Neil Jordan Films produced by Elizabeth Karlsen Number 9 Films films Films scored by Javier Navarrete Films about mother—daughter relationships s American films s British films. Darvell suffered some kind of wound in the Napoleonic Wars that gave him this as well. The English seaside town is the end of the line — and the end of the world. Caroline Johns Young Clara.

The English seaside town is the end of the line — and the end of the world.

You either ignore it, or treat it ironically, like the spoof movie Vampires Suck, which had one good line: "In the 80s, coke was all the rage; the 90s, grunge. Deal with the Devil : In order to become a vampire, people must go into a shrine on a remote island where they make a deal with the "Nameless Saint", implied to be a demon or something similar. Simon Elliott. Uri Gavriel Savella. British Board of Film Classification. Quotes Clara : I'm never merciful, and knowledge is a fatal thing. He eventually sides with Clara in the finale. Japan R After killing Morag, Savella battles Clara and ultimately subdues her. Invisibility is a recurring characteristic of vampirism, through both film and literature. Much to the dismay of Darvell, Clara leaves with Ruthven, who forces her into prostitution. Saoirse Ronan Eleanor. When Eleanor is born, Clara leaves her daughter at the local private orphanage to spare her life, and secretly visits her at night.

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