Cool edit pro v2

Cool Edit Pro v2's multitrack editing window, with its virtual mixer open in front. From its beginnings as shareware, Syntrillium's Cool Edit Pro has acquired an impressive professional user base, cool edit pro v2. The new version offers more features, more power, and an updated user interface.

Figure 1: The main stereo Waveform View window, showing the host of editing options available from the many customisable toolbars. Martin Walker warms to the latest release of this popular package. For a long time Syntrillium Software were the darlings of the PC shareware audio scene, gaining an excellent reputation with their Cool Edit WAV file editor in its various incarnations. We reviewed Cool Edit 96 in our July 97 issue, and at this stage it was a comprehensive program that offered not only the standard features expected of a modern digital audio editor, but also more experimental aspects such as 'brainwave frequency encoding'. As the software grew ever more sophisticated, it seemed inevitable that Syntrillium would eventually move from a shareware approach ie.

Cool edit pro v2

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If you need extensive MIDI support you will have to sync up a sequencer program, but at least the demo versions should make this easy to try out. The top line displays the current transport status, the cursor or playback cool edit pro v2, and the selected physical inputs and record mode left, cool edit pro v2, right or stereo. The famous Brainwave Synchroniser puts in another appearance here for those who would like to change their state of awareness when listening on headphones, although judging by my experiments it can also introduce stereo widening effects when heard through loudspeakers.

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Digital Audio Editor from Syntrillium. Replaced by Adobe Cool Edit Pro 2. We have no technical specifications for this product but your help will be much welcomed. Fill in the product description. Cancel Save. Other names: cool edit pro 2 x, cooleditpro2x, cooleditpro2 x, cooleditpro 2 x, cool edit pro2 x, cool edit pro 2x. Add this product to My former gear My current gear My wishlist.

Cool edit pro v2

Cool Edit Pro v2's multitrack editing window, with its virtual mixer open in front. From its beginnings as shareware, Syntrillium's Cool Edit Pro has acquired an impressive professional user base. The new version offers more features, more power, and an updated user interface. Syntrillium's Cool Edit Pro editor has become a firm favourite of amateur sound recording enthusiasts and professional audio users alike, the world over. The program's widespread popularity is partly due to its remarkable ease of use, partly because of its comprehensive facilities, but especially because of its surprising affordability. The latest incarnation is version 2. The update incorporates much more than cosmetic tweaking and bug-fixing, but the basic structure remains unaltered in concept, with a stereo editing window and a multitrack window for compiling complex material. There has been extensive rebuilding of the workings, but pretty much all of the desirable characteristics of the original remain in place; the impression is of a more mature, wide-ranging and very capable product, yet without the typically steep learning curve associated with audio editing software of this kind. Like its predecessors, CEP 2.

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Microsoft's new 'Corona' technology for multi-channel audio coding WMA Pro will also be supported shortly. There are far too many operational changes to list each one, but another function I discovered by accident is a new right-click menu in the multitrack window. The track EQ facilities in the multitrack window offer 'A' and 'B' settings, allowing comparison of two different equalisation curves, or perhaps the creation of a 'reference' and 'modified' setting. Indeed, pretty much every aspect of the original has been improved or extended, and not just in terms of the user interface: it seems that most of the signal processing algorithms have been overhauled and updated too. However, creating your own settings is easy and often involves no more than clicking and dragging a graphic envelope — it's really intuitive. The top line displays the current transport status, the cursor or playback time, and the selected physical inputs and record mode left, right or stereo. However, I later discovered that the right-click extension facility is still available if the Ctrl key is held at the same time as right-clicking. EQ Before Tracking? Pressing the Stop and Record buttons together provides a record-ready mode allowing input levels to be set up, while pressing the Record button by itself does just what you'd expect. Stereo Playlist editing. In essence, Cool Edit Pro operates in two modes: the Waveform View provides a stereo waveform editing environment, and the Multitrack View turns it into a multitrack digital audio recorder. For those who wish to browse, a full manual is also installed on your hard drive in Adobe Acrobat. Compared with previous versions, the new-look CEP 2. A better solution was to implement interfaces and design special hardware control surfaces to enable physical multi-fader mixing — a far more intuitive and rewarding solution, although often rather expensive.

Known today as Adobe Audition , Cool Edit Pro is a digital audio editing software addressed to amateur music enthusiasts and professional musicians alike. It provides a state-of-the-art audio processing environment that includes all the facilities required in music composition. The installation process takes at least a few minutes, most likely due to the impressive collection of effects and presets that it brings along.

This allows you to name tracks, alter the default volume and pan settings, select the record and playback hardware if you have multiple channels at your disposal , and has three additional buttons to Mute, Solo, and Record Enable individual tracks. Like its predecessors, CEP 2. As a broadcaster for almost 20 years now, man and boy! After 'unpacking' they can then be dropped straight into a song. Microsoft's new 'Corona' technology for multi-channel audio coding WMA Pro will also be supported shortly. Indeed, pretty much every aspect of the original has been improved or extended, and not just in terms of the user interface: it seems that most of the signal processing algorithms have been overhauled and updated too. I can't pretend to have looked extensively at every aspect of this software, because it is so enormously comprehensive, but this doesn't make it difficult to learn, since most features are extremely easy to get into. If only all Windows applications took this approach, we would get on a lot better. The Rover is powered from the USB port, but passes relatively little data back and forth so it shouldn't slow down other USB peripherals. To make your life easier, a range of Snapping quantisation options is provided, so any waveform being moved will 'snap' into the nearest correct position to suit the tempo or other cue. CEP runs using the computer's native processing power, and the rapid increase over the last few years of CPU power and hard disk data transfer rates has allowed Syntrillium to increase its real-time processing facilities enormously. There are sufficient effects, processors and tools to get virtually any job done, grouped into categories such as amplitude, delay, filters and noise reduction. However, if you want multitrack audio support along with a huge range of options and treatments, it's just the job. However, CEP proved itself in action to be a remarkably capable, reliable and intuitive tool, which was extremely cost-effective — so much so that numerous branches of BBC Radio have come to rely on it completely in recent years. Nevertheless, version 1.