Daisy hoppen

With a sense of confusion, daisy hoppen, a designer asks themselves the question: do I need a PR? The answer, more often than not, is a series of questions.

My father collects stuffed animals: we had a full-scale crocodile in the hallway, and love birds in a giant cage; our cat would sleep on top of it. We also had things like old fairground memorabilia, a jukebox, big velvet sofas and large Moroccan rugs. It was eclectic but very beautiful. Growing up, there were lots of forward-thinking photographs on the walls. But the art and photography at home were always changing because he would often buy things and then sell them on. But Vincent has brought me round to the idea of clean spaces. Without him, this place would look so different — it would be full of clothes.

Daisy hoppen

Our newly single British heroine, who runs her own fashion PR company, has just moved to a flat overlooking Highbury Fields in north London when the pandemic strikes. Every morning at 7. After a few weeks, Vincent offers a smile as Daisy jogs past. One morning in August , Vincent stops Daisy, introduces himself, and informs her that she is wearing the wrong type of trainers. They were New Balance non-performance sneakers, but then Daisy is more comfortable running doors at fashion shows for clients including Simone Rocha, Molly Goddard and Rejina Pyo than marathons. The other old-fashioned element? Vincent, being a cyber-security geek, did not have a digital footprint. They dated for several months, until a proposal came over the Easter weekend, while the pair were enjoying time away with friends in Bath. And I felt really, really, really happy. The couple knew they wanted to get married in London — and quickly. She booked 2 Temple Place, a 19 th -century, neo-gothic mansion by the river where she had once waitressed at weddings herself, and called upon the florist Silka Rittson-Thomas, another old friend, for blousy roses to elevate the space.

Daisy hoppen someone emails them with a request, daisy hoppen, when a big stylist loses their garment, or when any media emails them — they are worried about burning relationships from the very start. When I started, there were no freelancers. If you want to move forward, you want to make sure the meetings you are having with them will be the people who will be working with you.

DH-PR work with a global network of Talent, Influencers, Industry Figures, Creative and Editors spanning a range of projects including seeding, red carpet dressing, and event attendance. We plan each project with a bespoke approach, tailored to the needs of individual clients, through curated strategies and creative networks. Values Statement To always be kind, conscious and inclusive. Mission Statement To strive to always better ourselves and the industry we contribute to, and apply a bespoke and considered approach to all that we do. We commit to an inclusive and representative mix of participants without our projects and to being an equal opportunity employer. We recognise that we have a responsibility to the environment beyond legal and regulatory requirements.

The larger institutions always have blockbuster shows on for summer — do book now for the long-anticipated Cindy Sherman solo exhibition at the National Portrait Gallery, as well as Lee Krasner: Living Colour at the Barbican. Founded by Katy Hessel, The Great Women Artists presents a show with Victoria Miro featuring three young female artists who rethink traditional genres to touch upon themes of migration, women in the workplace and the gendered language of painting. Finally, Flora Yukhnovich , who is also based in London and reimagines the dynamism of the Rococo world and 18th-century artists through large-scale paintings. Having started as an Instagram account originally, thegreatwomenartists celebrates female artists, ranging from recent graduates to Old Masters. Wolfgang Tillmans at Maureen Paley: until July

Daisy hoppen

Agenda-setting intelligence, analysis and advice for the global fashion community. This London Fashion Week, British musician Skepta relaunched his fashion label, Mains, with a buzzy tennis-themed catwalk presentation where Stormzy, Louis Theroux and Naomi Campbell all sat front row. With DH-PR, Hoppen has built an agency that has long represented key creatives from the London fashion scene — from Harris Reed and Simone Rocha to Molly Goddard and Rejina Pyo — and beyond, known for its personal touch with clients and garnering cachet beyond the realms of luxury fashion.

Critical ops offline

Nowadays, they only call in stuff if there is interest because it is expensive to call in things that they actually want to shoot. I am happy to match that pace, but I wonder if the consumer can stay up with it. How can a fashion brand use upcycling, production strategy, and storytelling as solutions to over production? If your brand is about slow, sustainable, very expensive cashmere wool coats, then you will probably target very different kinds of media. They were New Balance non-performance sneakers, but then Daisy is more comfortable running doors at fashion shows for clients including Simone Rocha, Molly Goddard and Rejina Pyo than marathons. Even on a grey January day. But Vincent has brought me round to the idea of clean spaces. It was eclectic but very beautiful. Interviews — May But I always bring in the actual team who will be working with them. Is there one magazine that you really love? If you are only producing five couture looks, you might not need to do a runway — you might just want to do some appointments or a lookbook. D: You should always be able to say no. Growing up, there were lots of forward-thinking photographs on the walls.

When I was growing up, my father [the gallerist Michael Hoppen] would often refer to Jacques Henri Lartigue as his Desert Island Photographer; looking through his photographs always made him so happy, as they are all about joy. Some of my favourite images are of women in their luxurious now of course very frowned upon furs promenading with parasols and small lap dogs. I love the photographs of these women in feather-plumed hats, and lace veils covering their faces.

As for the dress? This Environmental Policy sets out our aims. My father collects stuffed animals: we had a full-scale crocodile in the hallway, and love birds in a giant cage; our cat would sleep on top of it. O: I find it interesting how PR is selecting the value they assign to people — sometimes they move someone from the front to the back row within a season. Vincent, being a cyber-security geek, did not have a digital footprint. Really important to me. If your brand is about slow, sustainable, very expensive cashmere wool coats, then you will probably target very different kinds of media. D: I think the hardest is just the pace. Personally, towards the end of last year, there were so many events, I felt bored by the format repetition. O: We realised that young designers are really scared to say no. We decided not to put the TV in there, because we work at screens all day.