Japanese pottery marks satsuma

Listed are also some modern Japanese porcelain marks. We regularly update this page. Last updated: February We are a member of eBay Partner Network.

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing. To check our stock of satsuma ware click here.

Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as "Dai Nippon Satsuma". You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set. The piece may be marked as "Left 3", meaning that it should be positioned as the third item on the left-hand side. Obviously, a vase like this would be part of quite a large set. The centre item may have the main marking of the maker on if it is of sufficient providence. I do not read Japanese at all, apart from a few simple Kanji that I have become used to. I often refer to a Kanji online system that allows you to build up the symbol piece by piece to make the word. This can take a little practise though and does not always give good results - especially with hand painted markings and definitely when it comes to people's names. Another way to find the marking yourself is to look at the large list over that the Gotheborg website. I often look there and scan the list of markings, trying to spot one that looks the same.

An inscription on a postcard indicates that he was still living in Particularly fine gilt line work on the dresses and trees.

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware.

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware.

Japanese pottery marks satsuma

Collecting Japanese satsuma ware is accessible to many, but starting a collection can be daunting. Prior to this, there was no real ceramic industry to speak of in the Satsuma region. There are two distinct types of Satsuma Ware. The original Ko-Satsuma is characterised by a heavy dark glaze, often plain, but occasionally with an inscribed or relief pattern. This style is rarely seen outside museums and it proliferated up until about

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The production soon spread to several cities such as Kyoto, Tokyo, Nagoya, Yokohama and elsewhere throughout Japan, from the Meiji period up until today. Can you tell me anything about them? I have a pitcher or chocolate pot, a sugar bowl and a milk pitcher I believe. Using the Find Kanji By Radicals site , you can slowly build up the marking, piece by piece to form the full item. Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features. In Kun it could be Yoshimitsuyama. Also has the Shimazu clan mark and Made in Japan. Tentative date Meiji period You also have the option to opt-out of these cookies. You can see the same marking on this page at the Gotheborg website under Nichi Hon Nippon. PayPal sets this cookie to enable secure transactions through PayPal. Would appreciate help In identifying this mark.

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English.

I have a vase and the only marking on the bottom says Satsuma and Japan, is this vase just a worthless copy? How can I get a picture to you? I could not find it on the Gothenburg site. Trying to identify my vase. Shogetsu was a known decorator of the Meiji period and his mark can be found on other makers work including Kinkozan. Written from right to left. Often complex marks including Dai Nippon and name of individual potter. There are a number of possible translations, but the consensus appears to be around Hayakawa. Close Menu Home. Just to make it easier for the interested collector to find his way to the information offered here, I have chosen to collect any and all Satsuma looking wares, here. Plz share the markings beneath to be sure. Rim mark is likely a vertical dash followed by the number 19 perhaps a batch code.