Marigold carnival glass patterns

Collecting Carnival Glass and a short history of the companies that produced it, such as Fenton and Northwood. Carnival glass was first marigold carnival glass patterns in the early nineteen hundreds and is a range of patterned, pressed glass suffused with an iridescent lustre, marigold carnival glass patterns, which reflects the light and makes the glass surface gleam with metallic highlights. The effect is achieved by spraying the hot surface of the glass with a metallic salt solution and then re-firing to set the iridescence. It was developed there, and though other countries soon began to produce their own versions, most collectors begin with Noa hoffman carnival glass as it is the easiest to obtain.

In recent years, the paucity of coverage of non-pattern-defining designs has been mitigated by treatment in two sources, both of which include fine photography. Secondary patterns are important because, among other things, they have helped identify makers e. In addition, many are attractive in their own right. Manufacturers employed dozens of secondary patterns; Dugan and Diamond, around Many, but by no means all, secondary patterns are back patterns of bowls and plates or of compotes, bonbons, and nappies. Some are, instead, interiors of bowls, plates, and other shapes including virtually all vases and several baskets customarily identified by their exteriors e.

Marigold carnival glass patterns

Click here. News Good to know Knowledge Base Wanted 07 sales roundaboutantiques. My Account. Welcome to Roundabout Antiques! Login Create Account. Shopping Cart. Home Carnival Glass The glass that we now refer to as carnival glass was not originally called such, but was known as iridescent glass, poor mans Tiffany, Imperial Jewels, Imperial Art Glass, taffeta, lustre and Aurora while the Millersburg Company called their items rhodium ware. These names were meant to describe the silken sheen like iridescent glass namely marigold, green, blue amethyst, white and red base glass used to brighten up darker heavy furniture, a remnant of the late Victorian and Edwardian periods. The American company, Fenton Art Glass Co, was founded in and is credited as being the first commercial producer of pressed, iridised glassware now known as "Carnival Glass". The iridised finish is achieved by spraying the surface of the article with metallic and uranium salts, before firing. Pieces of these makers, and more - will appear within this section. Our Collections Antiques. Antique Estate Jewellery.

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How did carnival glass get its name? It earned it as you might think. These glass items were given away at carnivals back in the early s. Instead of a big teddy bear after winning a carnival game, how about a pretty glass vase for mother? Carnival glass wasn't welcomed by all. Some proper ladies would not allow this glass in their homes. This iridescent glass is something that people either loved or hated. Making carnival glass, which was created by many different companies such as Dugan, Fenton , and Northwood involved a combination of chemicals that were applied to the pressed glass before its firing. The resulting swirly sheen that sometimes looks like an oil slick was much less expensive to produce when compared to other iridescent art glass popular at the time such as Tiffany and Steuben.

Marigold carnival glass patterns

Plus, how to determine the worth of your carnival glass. Luminescent and solid, mysteriously shimmering with elusive colors on crisply molded shapes, carnival glass has a dual personality. These pressed-glass objects—bowls, plates, compotes, tumblers, and countless other items—were originally made to be affordable, functional, and attractive. Replete with grapes, peacocks, and other symbols of abundance and luxury, the designs looked old-fashioned even when they were new in the early 20th century. Iridescent sprays create rainbow reflections that seem to foreshadow the improvisational action painting of the s and '50s, as well as the psychedelia of the '60s. If Jackson Pollock and Peter Max had collaborated with your great-grandmother, the result might have been early carnival glass.

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Seafoam Constellation. Orange Tree. Being green is very natural. Line drawing: Hartung, Book 7, p. Glass, or Westmoreland. Ten Mums. It's calculated that well over a thousand different patterns were produced by the American companies, and each pattern in a range of different colours, shapes and sizes. Diamond Block. Single Flower has an unpatterned interior; this distinguishes it from Caroline and Single Flower Framed with their rayed interiors. Found almost exclusively on the top surface of peach opal glass, the favored flowers were lily-of-the-valley and violets.

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Little Stars. Carnival glass has been around for quite some time now allowing us to carefully analyze how this concept evolved over the years and popularised among various collectors of the modern era. Even though it is very popular and sought after by collectors, it is still possible to pick up bargains. Greek Compote. Paneled Sunrise. Others included Border Plains, Six Petals, Ski Star, and pieces without molded patterns on either interior or exterior. Long Leaf Dogwood Sprays. Pulled Loop. Smooth Rays Stippled Flower. Beetle Ashtray. Beaded Arches Daisy Web. Virginia Blackberry. Instead, it might be a modern-day remake of antique carnival glass.