Yamaha stagepas 300 pa system

Remove the rear panel of the speaker and put in the things you need. Crisp highs Punchy mids. Big, fat bass.

By Bob Kovacs. The speaker cabinets, measuring about 18 x 11 x 10 inches H x W x D , are made from a tough black composite material that gives them a serious heft. The other speaker has a plastic cover that attaches with similar latches. This monitor output pair has its own level control. Two heavy steel handles protect the face of the mixer, minimizing the likelihood that a knob will break if the unit falls off a tabletop. The amplifier claims a rather optimistic maximum power of W per channel into six ohms, but a more reasonable expectation is W per channel.

Yamaha stagepas 300 pa system

Photo: Mark Ewing. An affordable complete vocal PA you can carry from the car to the stage in one trip! Yamaha's Stagepas is a surprisingly compact yet reasonably powerful stereo sound system comprising a pair of moulded, passive two—way speakers and a small powered mixer that stows into a recess in the rear of one of the speaker cabinets for transport or storage. The other speaker has a similar recess with a removable cover for stowing cables or mics. Given that the system's mixer-amp is little larger than a decent box of chocolates, that is quite remarkable. Sadly, the accompanying documentation doesn't say what kind of amplifier technology is being used, but to make the amp this small and light I suspect that they're using some kind of Class—D circuit or, at the very least, a switch—mode power supply. The speaker cabinets, which measure approximately 18 x 11 x 10 inches, are moulded from a tough, resilient plastic with no obvious resonances but, unusually, they don't have a pole—mount fitting built in. You have to buy external stand adaptors as accessories if you wish to stand—mount the speakers, which seems rather odd to me, as how else would you use them? Both speakers are identical, so either one can hold the mixer amp while the other can be used to store the supplied speaker and power cables or a couple of mics. To secure the mixer into the rear of the speaker, there are two twist locks that can be opened with any suitable coin, and the mixer is stowed 'controls out', so that it can be used while still fitted to the speaker if necessary although the front panel would then be 'sideways on' to the user, if the speakers were being used upright. I'd prefer catches that didn't require tools to open, but even musicians tend to have the odd coin about their persons and the catches actually work very well. All the connections, including the IEC mains inlet, are on the top of the mixer. Passive crossovers inside the speakers operate at 4kHz, and a strong, perforated—steel grille protects the cone driver.

High power, high quality The built-in amplifier puts out a full watts of power into each channel, and utilizes Class D amplification for maximum efficiency, low heat, and remarkably high fidelity. The little mixer is fan cooled the fan is quiet enough for most live sound applications and offers eight inputs in all.

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Yamaha stagepas 300 pa system

The STAGEPAS portable PA system strikes a perfect balance between high-quality sound and ultimate portability, allowing you to turn virtually any location into your own intimate live stage. Available in two versions, one with a battery and one without, the lightweight, durable design, effortless operation, and astonishing sound of the STAGEPAS will help you reach your audience like never before. Far more than just a speaker, the STAGEPAS delivers impressive sonic performance by leveraging some of the same technologies used in our high-end professional products. A powerful, high-quality coaxial compression driver combined with proprietary FIR-X filters for the HF and LF crossover deliver sound pressure, precise phase response, and a natural dispersion to ensure every nuance of your performance is conveyed loud and clear to your audience. Coaxial compression drivers utilize a common motor structure sharing a single magnet, reducing weight and bringing LF and HF closer together to provide a more ideal point sound source.

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Mid-bass was just right for male vocals. The narrow horn 'throat' constricts the volume of air into which the driver radiates, hence the 'compression' part of the name. The human ear is capable of hearing an enormous range of sound pressures — the ratio of the sound pressure from the minimum up to damaging levels from even short—term exposure is more than a million — necessitating a logarithmic scale, which also corresponds roughly to our psychological perception of loudness. Crisp highs Punchy mids. There's enough vocal level to handle smaller pub gigs for bands or duos, and I rather liked the effect of the admittedly basic built—in reverb. The other speaker has a similar recess with a removable cover for stowing cables or mics. If a crossover is placed between power amps and speakers usually built into the speakers , it is said to be 'passive'. The Stagepas is strictly 'no frills', as its basic two—band EQ and switchable reverb attests, but it is solidly built and does its job very well. Versatile application features Flexible placement options let you stand the speakers up or lay them on their sides. Although I didn't fill all the seats, this Yamaha system did an excellent job of projecting the sound to the last row; a listener in the back row commented that he could hear everything clearly. This monitor output pair has its own level control. All the connections, including the IEC mains inlet, are on the top of the mixer. Login You may login with either your assigned username or your e-mail address.

The new STAGEPAS i and i are complete, all-in-one sound solutions that are extremely portable and easy to set up, allowing users to instantly add high quality sound reinforcement to virtually any environment. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of.

Vocalists Just plug yourself in and play! Login You may login with either your assigned username or your e-mail address. I tested the Stagepas with its speakers perched on tables, as the review system didn't come with the stand adaptors the omission of these as standard is perhaps the worst practical failing of the system. The password field is case sensitive. Remove the rear panel of the speaker and put in the things you need. Reprinted with permission. Crisp highs Punchy mids. It has all the sonic muscle you need to fill small- and medium-sized venues. Jargon Explained Class-D Amplifier: One in which the output transistors are operated, effectively, as switches, being either fully off or fully on, with the audio signal modulating controlling the switching action. Buy PDF version.